Ships that Pass in the Night has slipped into dock with our lifeline. 3 weeks of a process in search of hidden meanings, unravelling the journey. We anchored briefly with students from Ringkøbing Gymnasium swabbing the decks with them in three sails to the wind. We keep the crow's nest on high alert navigating our course, heading to new horizons. ...
I led a three day workshop (21-23 October 2025) for students at the Masca - Scoala Teatru Alternativ in Bucharest, Romania as part of a larger collaboration involving many different artists from around the world.
Is Sisyphus schizophrenic? Here's an interesting idea. Why, if you were carrying a rock up and down for eternity, wouldn't your mind soon lose its way? Wouldn't it start confusing fantasy with reality, dream with waking life?
We watched the theatrical performance "Sisyphus – flesh and earth" [performance with Fanis Katehos, directed by Donald Kitt] as part of the 13th Handmade & Recycled Theater Festival – Osmosis, at the Rectifier Theater in Gazi. Review/Article by Dimitris Fileles, FractalArt.gr
Donald Kitt's work both as an actor and director is stunning in its depth, precision, incredible attention to details and the sense of wholeness.
Happy and proud, once again, to take part in the Holstebro Pride parade.
Fabulous to be among the many happy people who insisted on having a party despite the rain.
On the occasion of Donald Kitt's participation in the 13th Handmade & Recycled Theatre Festival – Osmosis, the multifaceted artist speaks to CultureNow about Sisyphus, Leonardo da Vinci and the inexhaustible relationship between theatre, body and creation.
"Sisyphus – flesh and earth": Donald Kitt directs for the first time in Greece
Fanis Katechos embodies a modern Sisyphus, interacting on stage with the saxophone and musical compositions of Tasos Photiou.
Article by BlackBook.gr
The performer and director talks about life after Primus Theatre, his collaboration with Fanis Katehos, the secret language of stilts and the art that breathes deeper than words. Why he (continues to) be concerned with a Theatre that speaks even in silence.
